reviews
Jose Carbo displayed a strong sense of line, firm tone and expressive
dramatic flair as the villainous Enrico, the heroine's brother.
The Australian, August 2008
Carbo is in his element, his own horns sharpened to face off against the man who would destroy his plan. The pair go head-tohead in a strong and
resilient duet in Act II.
The Daily Telegraph, August 2008
José Carbo is similarly excellent as the other man in Lucia's life, her
scheming brother Enrico. Carbo's vivid stage presence brings a dash of
individuality to this melodramatic role, making him a cruel but charismatic
villain. His rich, muscular baritone is consistently thrilling; the duet
with Edgardo in the Wolf's Crag scene is particularly electrifying.
The Opera Critic - Sarah Noble
“The Barber of Seville” (Figaro) – Rossini; Opera Australia
The galvanizing effect that young Argentinian-born Australian baritone José Carbó had on his first night audience when “Figaro, Figaro, Figaro” rang out from behind them…sounded as though we were fortunate enough to be witnessing the birth of a major career.
Ken Healey, Opera-Opera, October 2004
This was auspicious night with a new baritone singing and acting the best Figaro I have heard to date. Jose Carbo's stage presence is immediate and showing. He dominated the evening as is fitting for the title and role.
Dr Andrew Byrne, Opera Review, September 2004
Enrico, Lucia di Lammermoor, Canterbury Opera, New Zealand
Enrico is sung most eloquently by the Argentinian baritone Jose Carbo, who brings a true Italian feel to the role. He moves most convincingly from the down-at-heel, whisky-swilling aristocrat to the overbearing and tyrannical brother who is hell bent on restoring some credibility to the Lammermoor family. A world class performance.
The Opera Critic.com
With boundless energy, a strong engaging voice and a remarkable physique that belies the popular image of an opera singer, Carbo was the real deal.
Brisbane News
"The Barber of Seville" (Figaro) – Rossini; Opera Australia
José Carbó is dashing – vocally and in his stage presence as the ever capable Figaro – with strong mahogany tones.
Peter McCallum, Sydney Morning Herald, Sept 9th, 2004
“The Barber of Seville” (Figaro) – Rossini; Opera Australia
As Figaro, Jose Carbo was outstanding with a sturdy and unforced voice. His performance in the barber's shop scene displayed comic timing at its best with a voice brimming with a droll sense of humour.
John Daly-Peoples, The National Business Review, Oct 8th, 2004
“Madeline Lee” (First Officer) – John Haddock and Michael Campbell; Opera Australia
“Michael Lewis gives a commanding performance. He has real dramatic presence, as does Jose Carbo – who is outstanding as the First Officer – and both men are in clear, firm and resonant voice throughout.”
Murray Black, The Australian, Oct 15th, 2004
One could listen to Jose Carbo sing for hours. His voice not only fills the air you breathe but all your senses light up when he touches his most desired notes. His performance is one of great skill, infinite passion and thoroughly entertaining with a light twist of humour.
Deborah Hutton
Carbo's athleticism on stage and seductive bariton make this opera a hit
Courier Mail, Brisbane
Carbo is a stunning Giovanni, totally in command vocally while injecting Latin passion to his outrageous behaviour
Stagediary.com
L'Elisir d'Amore, Royal Theatre, Madrid, Spain
Bonne surprise que le Belcore de José Carbó qui prendra de l'assurance au
cours de son air d'entrée : la projection, le timbre, la vocalisation et la
caractérisation de son sergent hâbleur sont très satisfaisants.
Musique Classique - Remusica.com.
He stole the show
The Daily Telegraph
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